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Teaching abstract documentation class description class documentation LEAP teacher residency Grenoble LEAP teacher residency essentials of a class Teaching Practice Release Class contemporary technique class Stolzenhagen class proposal feldenkrais malcom mannings class composition class gi gong the dancer the class the esoteric influences contemporary dance teaching Somatic Anja Bornsek Class aerial dance technique Composition class technique class improvisation/composition Exploration Improvisation Space Class formats BMC® Tuning scores perception recycling class two sides of touch Vienna symposium video Jenny Beyer Antoine Effroy Alexander Kerschner Contemporary Dance Tunings scores BMC® Ballet for Beginners Improvisation/Contemporary Dance for Classical Dancers improvisation class music somatics amateurs Contemporary Dance technique-class deatiled class description (step by step) alignment spirales training TAB Quality Teach Me (Not) Open Class Professional Technique class Partnering improvisation class salsa all kind of couple dancing with contemporary teaching job teaching experience networking writing Gabriele Wittmann OSDYRE improvisation class creative process teaching residency The poetry of technique: an exploratory contemporary dance class Helenita Sá Earp Dance Fundamentals releasing technique warmup tuning Training Technique class improvisation teaching movement exploration creative process classes & workshops flyer Class for Improvisation/Composition for a class for dance students at the zhdk . surfing contact class description music appreciation ear training improvisation improvisation class repertory spirals circles serpentine contemporary dance class economical danning / moving somatics improvisation class dance education body awareness nature elements experiential anatomy k3 training initiative Intuition Gaga teaching Modern Dance children dance improvisation imagination technique class description improvisation organization contact improvisation performance co-authorship recycling site-specific score workshop parkinson's inclusive dance play drawing instant composition authentic movement preparation relationship Improvisation / Game composition group improvisation score Duo/dialogue Dance score Drawing / Contact head anatomy reaction Contemporary Dance strengh power improvisation documenting Ana Stegnar Teaching Practice teaching methods Teaching research Ana Stegnar and Body-Mind Centering® BMC® decisions story public space Improvisation Teaching Feedback Questions Answers look assessment student evaluation improvisation/composition Teaching interests non-interests questions improvisation co-teaching teaching together Andrew Harwood animals release technique contemporary technique extempore Contemporary Dance Juliana Neves improvisation composition dance circus choreography lab pedagogy Image Perception; improvisation Symposium activity somatics Contemporary Dance Florance Augendre improvisation Teaching Practice fascia anatomy improvisation documentation Improvisation - contemporary dance Improvisation for performers improvisation Books Writing Drawing Reading Overlapping Documentation somatics internal martial arts partnering spiraling improvisation preparation ritual improvisation co-teaching improvisation performance object yoga contact improvisation social body dance improvisation society Contact Improvisation Teaching Notes Student Feedbacks exercices Contact improvisation technique body intuition Contact Improvisation dancing in nature technique and intuition teaching methods "looking" in our brainmap Costume Performance Somatics Whirling/Spinning Somatics Improvisation Pushing-Bounderies Higher-Awareness Consciousness Subconsciousness Amplification choreography Somatics Improvisation Breath Work speaking and moving improvisational scores playfulness in/out of contact dance improvisation Improvisation Somatic Dance Therapy Life Education Movement Research Skinner Releasing Technique research presentation Somapoétique Body Memory dance language literature improvisation Exploration experimental Experience philosophy essence being Theory Somatics Improvisation movement exploration society and awareness Eclectic Dances Physical involvment contact-improvisation language improvisation dance movement therapy creative writing discussion imagery self reflection body memory embodiment Contemporary Dance improvisation floor work sharing in home country Improvisation Somatic Integrated dance Environmental dance choreo-lab partnering improvisation & composition Improvisation inclusive dance visual impaired contact sound Tempo Duration improvisation acting movement exploration improvisation contact group improvisation contact movement and voice breathing improvisation kinesthetics collaboration experiential anatomy improvisation Brasilian Jiu Jitsu strength floor work mapping body sensorial Improvisation Choreography Contemporary Dance practice duration Contact improvisation somatics intuitive movement connectedness improvisation creativity somatics improvisation choreographic protocols work with children creative movement mind Exploration Improvisation Skin Somatics Co-teaching Memory Improvisation Learning Exploration improvisation documentation performing Improvisation Dramaturgy Dance Teaching Spoken Word Somatics Writing. transposition of media multitasking scores teenagers action contemporary mainly release technique improvisation somatics ballet Form[less]? ballet modern improvisation somatics neuromuscular fascilitation sensorial exchange symposium activity improvisation live composition all levels silence horizontality real time composition somatics improvisation contact improvisation Training mixed ability advanced Contact Improvisation integration reflection improvisation contemporary sensitivity dance improvisation nature improvisation awareness spontaneity interaction dance Instant Composition sensing listening the how more than the what… Movement voice improvisation teaching contemporary teachnique inclusive improvisation choreography teaching contemporary teachnique inclusive improvisation choreography arts and craft Space Laban voice work breathing organs Movement Research motivs to move physical awareness functional structures and organic tissue Group behavior Chance operation Conact Improvisation teaching reflection non-dancers Contact-Improvisation Somatics and other tools for movement creation improvisation composition and performance. choreography practice perceiving receptivity input/output improvisation not knowing vs knowing repeating yourself repeating others forgetting and remembering dramaturgy outside eye. spending time alone in the studio vs taking a walk ways of seeing making making decisions objects what objects language writing re writing somatic teaching functional imagination autonomy somatic teaching improvisation individual group autonomy creativity functionality laboratory work contactimprovisation light nature Festival indeterminableness in dancing improvisational dance work graphic art students Music teaching improvisation ear training. Attention spine discussion metaphor duet documentation dance dance education contact improvisation Documentation improvisation language relationships dynamics rythm qualities Cognitive science Embodied Creativity improvisation scores Somatics performance somatics improvisation embodied practice Choreographic designs and Improvisation scores Interdependence and Relation Cultivation of a Physical Culture Flocking Behaviour improvisation politics common good democracy sensorimotor development poetry symposium Lecture isolation somatics improvisation score improvisation and Taiji-partner-work Contact Improvisation mixed ability teaching mixed ability contact improvisation Training MAD dance ability Mixed ability Contact Improvisation MAD Dance ability Training documenting mixed ability danceability contact improvisation training teaching Research Teaching strategies tantra awareness patterns Tuning scores history Teaching Practice contactimprovisation Age 55+ Mixed Abilities Mind teaching contemporary professional training improvisation democracy narrative common good viewpoints Anarchy Postmodernism Contact improvisation martial arts consent and boundaries technology score improvisation sociology somatic practices real time choreography liquid society Zygmunt Bauman symposium proposal ensemble citizenship Connecting people contact improvisation democracy activism games play dialogue physical listening pedagogy choice-making Partner Work Subversive Impulstanz 2016 highlighted space mentally disabled Video Improvisation Movement Research Documentation Drawing Visual Landscape teachers meeting festival emotions consent sexuality solo improvisation weight tossing Fake Healing shamanic ritual trios Choreography Improvisation Safety Movement Patterns Lab tried and true teaching questions Visual media Report Teachers Meeting facilitation Body Mind Centering Embriology Feldenkrais laboratory rolling Speaking Consent intimacy personal experience sound somatics improvisation sound improvisation walking listening somatics Laban/Bartenieff Contact Improvisation Practice Performing health
313 matches found

Page 1 of 32
Experimental Graphic Documentations
I am experimenting with visual class descriptions. Attached here are a few examples of image maps that I created of a few aspects of the Muller Technique.
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By Michael Jahoda Eligible Member
2012.07.16
1 appreciation    2665 views

LEAP Teacher residency in Grenoble with the French, Swiss and Aus...
6 essentials of a class identified during the LEAP - teacher residency in Zürich in March 2014 by: Andrea Boll (CH) Anne Garrigues (FR) Juliette Dürrlemann (FR) Sabina Holz...
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By [Multiple Creators]
2014.12.07
0 appreciations    2745 views

Mind in Motion by Gill Clarke (1954-2011)
A video documentary commissioned by Inter-University Centre for Dance Berlin by Video Maker Becky Edmunds, analysing the artistic and pedagogical approach of Gill Clarke within a r...
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By Fiona Millward
2012.10.04
1 appreciation    1323 views

contemporary class -Stolzenhagen
My objective is always based around the notion of strong center. I alternate excercices "techniques" and pleasure of movement. The contents of my class are based on the technica...
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By Laure Leguet
2012.08.02
2 appreciations    2517 views

A class of space and repetition
PATHWAY IN THE STUDIO A class about time, space and repetition. Suitable for anyone. Easy to make new variations. 45-60-90 min, depending on the group and the needs. Impro...
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By Elina Ikonen Eligible Member
2012.08.09
2 appreciations    2893 views

free writing inspired by Malcolm Manning's class
My main form of documentation is free writing. Spontaneous free associations without pausing, correcting or trying to think through the compositions. It is a form of poetry, it is...
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By stephanie maher
2012.08.15
1 appreciation    816 views

Documentation of Defne Erdur's class
Two different ways of documenting a class by writing: 1. Class in 42 steps 2. Word by word writing
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By Vita Osojnik
2012.08.15
3 appreciations    3970 views

short report about "the two side of touch + drawing feedback envi...
short report about "the two side of touch + drawing feedback environment"
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By Anouk LLaurens Eligible Member
2012.08.28
0 appreciations    3126 views

Saras chi
A free ree write after 4 days of Sara Shelton Manns gi-gong work that has been shaped and altered for dance classes over the last 10 years. Kathleen Hermesdorf has been given perm...
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By stephanie maher
2012.09.17
0 appreciations    589 views

Clint Lutes teaching in Grenoble, France
Professional training class of Clint Lutes
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By [Multiple Creators]
2013.01.31
4 appreciations    821 views

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