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LoginThe February Issue –– WE'RE BACK
dear members of the IDOCDE community,
the year is 2021 (which, i'm sure, you noticed). we thought we'd start with a check-in, a belated new year’s reflection kind-of thing. please read The February Issue of the IDOCDE editorial for suggestions and directions. we'd LOVE you to join us in this.
in other words, some of you might be happy to learn that we've begun working towards the 2021 IDOCDE symposium. more information regarding the upcoming symposium will be released beginning of March.
thank you for your time and attention,
pavleheidler for Team IDOCDE
Food For The Day
Featured IDOCs
[deu] Making Sense through Sensation
Reflektion über einen Workshop zu Dokumentation als Teil künstlerischer Praxis/ Forschung
Reflektion über einen Workshop zu Dokumentation als Teil künstlerischer Praxis/ Forschung
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Thinking Bodies in Dance. A somatic R.E.A.Ch.
introduction to a Ph.D. in intermedial and somatic dance practices.
introduction to a Ph.D. in intermedial and somatic dance practices.
Dancing To Silence: Becoming 'Ear-Body'
Dance and music commonly come hand in hand, but many professional dancers prefer dancing to silence. Why is that?
Dance and music commonly come hand in hand, but many professional dancers prefer dancing to silence. Why is that?
MIND THE DANCE is a collection of essays, manuals, scores, exercises, and maps; giving voice to a multitude of stances, ideas, and applications in and around documenting movement. It aims to motivate and empower the reader-teacher-artist to use creative documenting to enhance their teaching and artistic practice. Latest IDOCs
Flirting with Phenomenology in Nervous Systems
Transcript of a performative lecture at the School of Arts, KASK, in Ghent (Belgium) on the event 'How Do We Do It?' on 20-23/02/2018. It answers the question that entitled this event, in th...
Transcript of a performative lecture at the School of Arts, KASK, in Ghent (Belgium) on the event 'How Do We Do It?' on 20-23/02/2018. It answers the question that entitled this event, in th...
Thinking Bodies in Dance. A somatic R.E.A.Ch.
introduction to a Ph.D. in intermedial and somatic dance practices.
introduction to a Ph.D. in intermedial and somatic dance practices.
Dancing To Silence: Becoming 'Ear-Body'
Dance and music commonly come hand in hand, but many professional dancers prefer dancing to silence. Why is that?
Dance and music commonly come hand in hand, but many professional dancers prefer dancing to silence. Why is that?
Christopher-Rasheem McMillan
Sasha Portyannikova
Sonia York-Pryce
Tru Paraha
Ira Ferris
Liza Futerman
This project has been funded with support from the European Commission.