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improvisation organization contact improvisation performance co-authorship recycling site-specific score workshop parkinson's inclusive dance play drawing instant composition authentic movement creative process preparation relationship Improvisation / Game composition group improvisation score Duo/dialogue Dance score Drawing contact Improvisation head anatomy reaction Contemporary Dance strengh power improvisation documenting Ana Stegnar Teaching Practice teaching methods Teaching research Ana Stegnar technique and Body-Mind Centering® BMC® decisions story public space teaching Improvisation Teaching Feedback Questions Answers Teaching interests non-interests questions improvisation co-teaching teaching together improvisation/composition Andrew Harwood animals release technique contemporary technique extempore Contemporary Dance Juliana Neves improvisation composition dance circus choreography lab somatics pedagogy Image Perception; improvisation Symposium activity somatics Contemporary Dance Florance Augendre improvisation Teaching Practice fascia anatomy improvisation documentation Improvisation - contemporary dance Improvisation for performers Exploration Space Class formats improvisation Books Writing Drawing Reading Overlapping Documentation somatics internal martial arts partnering spiraling improvisation preparation ritual improvisation co-teaching improvisation performance object yoga contact improvisation amateurs social body dance improvisation society Teaching Practice Contact Improvisation exercices Student Feedbacks Contact improvisation technique body intuition Teaching Notes Ballet for Beginners Improvisation/Contemporary Dance for Classical Dancers Contact Improvisation dancing in nature technique and intuition teaching methods "looking" in our brainmap Somatic Costume Performance Somatics Whirling/Spinning Somatics Improvisation Pushing-Bounderies Higher-Awareness Consciousness Subconsciousness Amplification Somatics Improvisation Breath Work Contemporary Dance speaking and moving improvisational scores playfulness in/out of contact dance improvisation Improvisation Somatic Dance Therapy Life Education Movement Research Skinner Releasing Technique research presentation Somapoétique Body Memory dance language literature improvisation Exploration experimental Experience philosophy essence being improvisation class music Contact Theory Somatics Improvisation movement exploration society and awareness Eclectic Dances Physical involvment contact-improvisation Contemporary Dance improvisation floor work sharing in home country Improvisation Somatic Integrated dance Environmental dance choreo-lab partnering improvisation & composition Improvisation inclusive dance visual impaired contact sound Tempo Duration improvisation acting movement exploration improvisation contact group releasing technique improvisation contact movement and voice breathing improvisation experiential anatomy improvisation Brasilian Jiu Jitsu strength floor work mapping body sensorial Improvisation Choreography Contemporary Dance practice duration Contact improvisation somatics intuitive movement connectedness improvisation creativity somatics improvisation Partnering improvisation class salsa all kind of couple dancing with contemporary choreographic protocols work with children creative movement mind Improvisation Dramaturgy Dance Teaching Spoken Word Somatics Writing. transposition of media multitasking teenagers action OSDYRE improvisation class creative process contemporary mainly release technique improvisation somatics ballet Form[less]? exchange silence Helenita Sá Earp Dance Fundamentals integration reflection improvisation contemporary sensitivity dance improvisation nature Training Technique class Technique class improvisation improvisation awareness spontaneity interaction dance Instant Composition sensing listening the how more than the what… Movement voice improvisation teaching movement exploration teaching contemporary teachnique inclusive improvisation choreography teaching contemporary teachnique inclusive improvisation choreography arts and craft Space Laban voice work breathing organs Movement Research motivs to move physical awareness functional structures and organic tissue Group behavior Chance operation Conact Improvisation teaching reflection perception non-dancers Contact-Improvisation Somatics and other tools for movement creation improvisation composition and performance. choreography practice perceiving receptivity input/output improvisation not knowing vs knowing repeating yourself repeating others forgetting and remembering dramaturgy outside eye. spending time alone in the studio vs taking a walk ways of seeing making making decisions objects what objects language writing re writing somatic teaching functional imagination autonomy somatic teaching improvisation individual group autonomy creativity functionality laboratory work contactimprovisation Class for Improvisation/Composition for a class for dance students at the zhdk . light nature Teaching Festival indeterminableness in dancing improvisational dance work graphic art students surfing Music teaching improvisation ear training. class description music appreciation ear training improvisation Attention scores improvisation class repertory spine discussion documentation dance dance education contact improvisation Documentation improvisation language relationships dynamics rythm qualities somatics improvisation class dance education body awareness nature elements Cognitive science Embodied Creativity mixed ability contact improvisation Training MAD dance ability Mixed ability Contact Improvisation MAD Dance ability Training documenting mixed ability danceability contact improvisation training teaching Research Teaching strategies experiential anatomy improvisation scores tantra awareness patterns Teaching Practice contactimprovisation Mind Intuition Gaga teaching contemporary professional training improvisation Contact improvisation martial arts consent and boundaries Connecting people contact improvisation democracy activism games play dialogue physical listening pedagogy choice-making Partner Work Subversive Impulstanz 2016 Improvisation Movement Research Documentation Drawing Visual Landscape teachers meeting festival consent sexuality solo improvisation weight tossing trios Choreography Improvisation Safety Movement Patterns Lab tried and true teaching questions Visual media Report Teachers Meeting facilitation Body Mind Centering Embriology Feldenkrais laboratory rolling Speaking personal experience sound improvisation walking listening somatics Laban/Bartenieff Contact Improvisation Practice Performing health solo self research
222 matches found |
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Reflection on the 10th Kontakt Budapest International Improvisati...
This writing has been done after the 10th anniversary Kontakt Budapest International Improvisation Festival. It took place in Budapest, at SÍN Cultural Center between the 28th of...
This writing has been done after the 10th anniversary Kontakt Budapest International Improvisation Festival. It took place in Budapest, at SÍN Cultural Center between the 28th of...
3 appreciations 1134 views
SECOND HAND recycle me! Jess Curtis Title Fallen
Questions about reclycling me.... Was this text ever used in a performance? These were performed repeatedly over several years. How was this text used in performance? Som...
Questions about reclycling me.... Was this text ever used in a performance? These were performed repeatedly over several years. How was this text used in performance? Som...
0 appreciations 790 views
PORCH interview Alicia & Zinnzi
An interview from the participants interviewing each other. Their perspective of learning how to create spontaneous art & dance shorts or singular events while taking part of th...
An interview from the participants interviewing each other. Their perspective of learning how to create spontaneous art & dance shorts or singular events while taking part of th...
0 appreciations 2738 views
Improvising Contact Improvisation - Study lab report
Although contact improvisation is improvisational in nature, when one acquires more skills and experience then what I have experienced myself, and think I have seen in others, is t...
Although contact improvisation is improvisational in nature, when one acquires more skills and experience then what I have experienced myself, and think I have seen in others, is t...
8 appreciations 1446 views
The Significance of Sharing
With DaPoPa (Danse Pour Parkinson), choreographer Clint Lutes invites people with and without Parkinson’s Disease to move together
With DaPoPa (Danse Pour Parkinson), choreographer Clint Lutes invites people with and without Parkinson’s Disease to move together
2 appreciations 1969 views
Score 'Cadavre Exquis'
This is a way to offer different approaches to any subject creating a physical patchwork of 5 minute proposals around one topic at a time. This proposal can be used by a group of...
This is a way to offer different approaches to any subject creating a physical patchwork of 5 minute proposals around one topic at a time. This proposal can be used by a group of...
By [Multiple Creators]
2012.05.05
2012.05.05
1 appreciation 2895 views